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Joshua David

A Blog for Thoughts, Inspirations, etc.

www.joshuadavidphoto.com

Afghanistan 2014
New Work Coming Soon

Afghanistan 2014

New Work Coming Soon

(Source: , via pleatedjeans)

Our Wedding Photos

Fitting song for today…

This song never fails to bring hope in the cold, dark times and is a great celebration of everything that is good and beautiful in the world.

This is also the Song Rach and I had our “first dance” to.
enjoy :)

(Source: Spotify)

For Your Lenten Listening.

(Source: Spotify)

For your Lenten listening.

"Song for Athene was cast heavily into the spotlight on September 6th, 1997. Millions of people, the world over, would hear this piece for the first time as the flag-draped casket of the late Diana, Princess of Wales, was carried out of Westminster Abbey, destined to its final resting place at Althorp, north of London."

(Source: Spotify)

In this world Christ was rejected. He was the perfect expression of life as God intended it. The fragmentary life of the world was gathered into His life; He was the heart beat of the world and the world killed Him. But in that murder the world itself died.

Alexander Schmemann: "For the Life of the World" (via joshuadavidwatson)

Music for today. Do yourself a favor and listen. I just discovered that John passed away last November. He will be missed.

John Tavener : Remember Eternal Things

"The Funeral Canticle is one of two works inspired by the passing of the composer’s father, Kenneth. The other, Eternal Memory, is a co-memorial to Tavener’s father and to the late Lady Diana, Princess of Wales… The Funeral Canticle is explicitly religious, having been prepared for the interdenominational funeral service that his father had requested. Its texts include the kliros from the traditional Orthodox funeral service, interspersed with verses composed by Tavener’s longtime friend, collaborator (Mary of Egypt, Akathist), and spiritual guide, Mother Thekla of the Monestary at Normanby. As is the case with many of Tavener’s other works, an overarching motto permeates the piece. Here, it is a solemn chant in Greek: "Remember eternal things." 

Though a sense of stasis pervades the work — for there is no hurry when distances are traversed over eternities — each sectional division is marked by a distinct kind of calm. The opening motto is given in what sounds like Byzantine chant; the subsequent lines, “We are born as naked infants, Then baptized into Christ our God,” are set in delicate, sinuous parallel chords; the kliros that follows is set in rich chord progressions overlaid with solemn repetitions, the sustained tones in the upper voices hovering over a restlessly ponderous bass. The Greek chant returns, followed again by a lush texture of parallel thirds and a rich Alleluia passage. The warm harmonies of the kliros return, followed by another Greek chant, and another verse: “Grant O Lord in love unceasing … rest among the faithful, in the life beyond compare.” After the Alleluia, the final iteration of the kliros brings the work to a close. 

One senses a deliberate (and to those familiar with Tavener’s work, expected) attempt to create an air of timelessness in this work. There seems to be a circular trajectory to the repeating textural patterns: the liturgical and ancient sounds of the Greek chant give way to the parallel harmonies, which are supplanted by the rich chords of the kliros. Law, theology, speculation seem to fade and blend into the higher reality of the eternal unknown; material objects and mortal ideas, “the idols of the world,” disappear in the wake of “eternal things.” Tavener has constructed a terrestrial musical frame, made of simple signs and symbols, through which to view existence from a celestial perspective.” [Allmusic.com]

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